Generator

Four camber lines, and the angle at which each stops lifting

Four camber lines, and the angle at which each stops lifting
Four camber lines, and the angle at which each stops lifting. Four mean lines on the same chord: symmetric, a circular arc, a four-digit line with its crest at forty per cent, and a reflexed line whose tail turns up. The zero-lift angle beside each is computed from that line's own slope by quadrature and is a property of the shape alone — no incidence, no speed, no thickness enters it. The symmetric line's is exactly zero, the arc's is −2m to ten decimal places, and the reflexed line's is positive: it needs to be pointed up before it stops lifting.

Four mean lines on the same chord: symmetric, a circular arc, a four-digit line with its crest at forty per cent, and a reflexed line whose tail turns up. The zero-lift angle beside each is computed from that line's own slope by quadrature and is a property of the shape alone — no incidence, no speed, no thickness enters it. The symmetric line's is exactly zero, the arc's is −2m to ten decimal places, and the reflexed line's is positive: it needs to be pointed *up* before it stops lifting.

1 essay calls thin-aerofoil. The drawing above is what it returns with no arguments at all; every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the one its essay argues about.

It is also the blast radius. Changing thin-aerofoil changes every figure listed here at once, and on this site it may change what they assert as well as what they show — which is what has to be rebuilt and looked at before the change is believed.

Where it is called

What each of these essays asks for instead of the defaults is on the regime index, which reads the parameters back out of the finished figures rather than out of the placements.

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