Visualisation — the series
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What a photograph of a flow shows
Wind-tunnel pictures are the evidence this whole subject is argued from, and hardly anybody says which quantity a given technique records. They are not interchangeable — smoke, tufts, oil and pressure taps measure four different things, and none of them is the velocity field.
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The shutter is part of the answer
Flow photographs are compared as though the exposure were a detail of the camera. It is a term in the measurement: an average over exactly one shedding period returns the true mean to fourteen figures, any other length carries a residue that falls only as one over the exposure, and a two-pulse velocity reading is short by exactly the sinc of the swept angle.
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An instrument that takes a derivative
Dye, smoke and seeded particles mark the fluid and read the marks. The optical ones mark nothing — light passes through and is bent — and what a plate records is not the flow but a derivative of its density. Two of the three are therefore exactly blind to a uniform stream, at any speed it happens to have.
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The paint that measures the wrong field
Dye, seeded particles and the optical methods all look through the flow or at something put in it. Pressure-sensitive paint looks at the surface, reports a scalar rather than a derivative, and turns a row of taps into a field. What quenches its luminescence is oxygen, which is what makes it a pressure gauge — and temperature, which is the other field a flow is guaranteed to produce.
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The window every vector is averaged over
Particle image velocimetry is the one flow-visualisation technique that reports the velocity itself, and it still applies an operator: every vector is an average over an interrogation window. A window is a filter with a transfer function, and it makes a vortex slower and fatter, a thin shear layer exactly as thick as the window, and some features smaller than the window point the wrong way.
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One view is enough, and the axis pays for it
An axisymmetric flow — a jet, a plume, a flame — can be reconstructed from a single optical view, because Abel's integral inverts exactly. The inversion runs from the outside in, every error made on the way reaches the axis, and whether it arrives multiplied depends on which instrument took the picture.
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Four cameras and a field they cannot see
An axisymmetric flow can be rebuilt from one photograph because its symmetry supplies every other view. A flow without an axis has to be photographed from several directions, and a few directions do not merely give a noisy answer — they leave whole patterns of density that every camera records as nothing. Four views of a 16 × 16 field see 79 of its 256 independent patterns and are exactly blind to the rest.
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A prior the pictures can refute is the one worth having
A few views of a flow with no symmetry leave most of the field unseen, and a reconstruction has to fill that part in by assuming something. Three common assumptions were tried on the same field and the same views. Non-negativity saves three views of ten, and five on a field of puffs; smoothness saves one; a dictionary of known shapes saves none unless it is exactly right, and when it is nearly right it can be wrong by a factor of a hundred. The prior that helps most is also the one the data can catch being wrong.
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A prior chosen from noisy pictures keeps most of its gain, and a wrong one loses its alibi
With exact rays, a reconstruction's prior could be judged by its error, and a constraint that was wrong gave itself away by missing its own rays. With noise every prior needs a weight — how far to trust the rays against the assumption — and the weight has to be chosen without the answer. Chosen where the misfit falls to the noise, it costs the smooth and unassuming priors almost nothing and non-negativity two or three views, so the ranking survives. What does not survive is the refutation: a dictionary that misses a field's rays by four per cent is caught at three per cent noise and invisible at seven, where it fits the noise as well as any prior and is about as accurate as they are.