Every essay — page 18
Flows and fields Ideal flow Circulation and lift Viscosity Regimes and numbers Compressible flow Transition and turbulence Fluids at work What is taught wrongly Series Concepts Regimes Refutations Search
Ideal flow
The exact theory of a fluid with no viscosity — closed-form, elegant, and predicting no drag at all. Its failure is the most useful thing in the subject.
The theory with no memory in it
Laplace's equation has no time in it, so an ideal flow's response to a body being jerked into motion is instantaneous and complete. Its indicial kernel is a spike and nothing afterwards. Beside it sit the two kernels that are not, and the comparison says which ingredient every memory in this collection came in through.
Past three, an ellipse is a shear layer
Kirchhoff's elliptical vortex turns for ever without changing shape, and Love showed in 1893 that it stops being stable at an aspect ratio of exactly three. Computed, that threshold turns out to be the first of a sequence — a new way of coming apart every one and a half aspect ratios — and the sequence ends somewhere recognisable. A long enough ellipse is a strip of vorticity, and it comes apart the way a shear layer does, at a rate Rayleigh found for the strip.
Flows and fields
Streamlines, particle paths and the field that carries them. What is conserved, what a picture of a flow can show, and what it cannot.
Streamlines are not the paths particles take
Three different curves get drawn through a flow and they are routinely treated as one. In steady flow they coincide, which is why the confusion survives; in unsteady flow they are as different as a photograph and a long exposure.
Mass has nowhere to go
Squeeze a stream of fluid and it speeds up, not because anything pushes it but because the same amount has to get through a smaller gap every second. Almost every result in the subject is that observation with more machinery attached.
What a flow is
A fluid is made of molecules and nobody models it that way. Treating it as a continuous field with a velocity at every point is an approximation, an extremely good one, and knowing why it works is knowing where it stops.
Steady does not mean nothing is happening
Photograph the flow past a cylinder twice and the two pictures are identical. Every parcel of air in them is being thrown about — braked to a dead stop, hauled round the shoulder at nearly twice the free-stream speed, braked again. Both statements are exactly true.
Spin is not the same as going round
A whirlpool whose streamlines are perfect circles can have no rotation in it anywhere. A flow whose streamlines are dead straight and parallel can be rotating everywhere. Both statements are true, and getting them the wrong way round is the most expensive confusion in the subject.
The number on a streamline is a flow rate
Streamlines get drawn as decoration — curves the flow follows, spaced however the plotting looked best. Each one carries a number, the difference between two of those numbers is the volume of fluid passing between them every second, and it does not matter what route the measurement takes.
Circulation is vorticity, added up
One of these two quantities is measured by walking round a loop and one by summing over the area inside it, and a theorem says they are the same number. That reconciles the site's most confusable pair — and explains how a flow with circulation can have no spin in it anywhere.
What a parcel does in the first instant
Drop a circle of dye into a flow and it becomes an ellipse. The velocity gradient that did it splits into a stretch and a spin in exactly one way, the split is not a convention, and one half of it is the reason a fluid has any stress in it at all.
The spin that feeds itself
Stretch a vortex tube and its spin rises in exact proportion, because the circulation round it cannot change and its area has fallen. Nothing in that argument sets a limit — and the one flow where the limit can be written down exactly puts it at a length of √(4ν/α).
No randomness, and it mixes anyway
A steady two-dimensional flow cannot mix, however fast it is stirred, because its trajectories are its streamlines. Switch two vortices on and off alternately and the same fluid, obeying an exact map with nothing random in it, folds a patch of dye through itself until neighbouring particles separate by a factor of a thousand in six periods.