The thread: A smooth picture proves nothing — page 35
309 essays carry this thread — page 35 of 35.
Roll waves stop merging at a spacing their fronts choose
On a steep chute the uniform flow breaks into a train of surges, and the train coarsens: a taller surge runs faster, catches the one ahead and swallows it, so the spacing grows down the chute. If the merging never stopped, the spacing in a photograph would only record how far the water had come. Marched down a long channel from noise, it stops. After a few hundred units of travel the surges stop catching each other and the train keeps its spacing for as long as it is followed. The spacing it keeps is not set by the chute or the noise but by the dissipation inside the surge fronts — which is the one part of the flow the shallow-water equations describe only roughly.
A strut inside a box wing is invisible to the wake, and halves the spar
Prandtl's best box wing has, everywhere inside it, air moving straight down: no sideways flow at all. A strut joining its two wings anywhere along the span therefore meets no flow it could turn, carries no load, and leaves the induced drag exactly where it was — the wake cannot see it. The spar can. A strut two fifths of the way out, as stiff as a spar and rigidly joined, halves the flange material of both spars, though it is pushed and pulled by almost nothing: the two wings lift equally and bend together, so the strut works through its joints, and a pinned one does nothing. Its only aerodynamic price is friction, and a slim strut pays it.
A distorted inflow gives back the tone more blades took away
A propeller's steady thrust sings through a Bessel function whose order is the number of blades times the harmonic, and that function is exponentially small at low tip speeds — which is why six blades are quieter than two. But a blade that cuts a non-uniform inflow carries a thrust that changes round the circle, and its s-th harmonic radiates through a Bessel function of order six minus s. The sixth needs no tip speed at all. A distortion of five per cent turns six blades' tone into one that hardly falls as the tips slow, fills the axis where the steady tone is silent, and cuts the six-blade advantage over two from twenty decibels to thirteen. Two blades never notice.