Far field — where it appears
Named by 13 essays across 3 fields — each of them below, with the objects they name alongside it.
Where the reaction to a wing's lift is
The force on a body can be computed on any contour drawn round it, and the answer is the same every time. How much of that answer is pressure and how much is momentum flux is not — it runs from three per cent to ninety-seven, and the difference is the shape of the contour.
What the far field remembers
Three numbers survive the journey to infinity — a circulation, a net outflow and a dipole — and nothing else about a body does. Two shapes with nothing in common can therefore make the same flow a few radii away, and the difference between them dies two orders faster than the disturbance either one makes.
The sound is what does not cancel
A quadrupole is not a weak source. Every one of the four monopoles in it is as loud as a monopole of the same strength, and what makes the assembly quiet is that they very nearly cancel — one part in ten thousand survives at a hundredth of a wavelength. The eighth-power law is a statement about how nearly, not about how little.
The momentum with no value
A cylinder is pushed from rest to a steady speed. Work was done, energy went into the fluid, something was pushed. How much momentum does the fluid carry? The integral converges, the answer is finite, and it is a different finite number for every shape of region it is summed over.
The signature that forgets the shape
The pressure field near a supersonic aeroplane depends on every part of it. What reaches the ground has two parameters. Two bodies whose near-field signatures differ by fifty-five per cent in peak and by their whole shape age into the same N-wave, to two and a half per cent.
The boom that turns back before the ground
Sound is faster in the warm air near the ground, so a sonic boom's rays bend back upward on the way down. Whether any of them arrive is one comparison — the aeroplane's speed against the fastest sound beneath it — and the ray that just grazes the ground sets the edge of the carpet, which the uniform air of the ageing calculation cannot give it.
The carpet an accelerating aeroplane folds
Level flight launches every boom ray with the same invariant, so they run parallel and each place hears one boom. Accelerate, and each successive ray is shorter than the last — shorter, near the cut-off, than the aeroplane's own advance — so later rays overtake earlier ones and the arrival map folds onto a line.
The edge is a rumble, not a quieter bang
The rays that reach the outer half of a sonic-boom carpet arrive nearly horizontally, having travelled almost three times as far as the one under the track. Ray theory says they still carry two-thirds of the overpressure, right up to a line beyond which there is nothing. Neither half of that is what is heard — which is the useful result, because it says the edge's loudness is not a ray quantity at all.
A boom is aged in the thin air it starts in
The rays that reach the edge of a sonic-boom carpet travel two and a half times as far as the one under the track, and it is natural to expect their signatures to have aged accordingly. They have not. A pressure wave distorts thin air far faster than dense air, so two-thirds of a boom's ageing is done in the stratosphere near the aeroplane, and the extra kilometres near the ground add little — which decides how far out a boom shaped to be quiet stays quiet.
The drag that can only see one curve
A slender body's far field is a line of sources of strength A′(x), and nothing else about its shape reaches it. So its supersonic wave drag depends on the cross-sectional area distribution alone — and a fuselage cut away where the wing joins it can carry the wing for nothing.
The warm side pulls a bubble with no force on it
A bubble in a liquid whose temperature varies from place to place moves towards the warm side, with no gravity and nothing pushing it. The surface tension is lower where the liquid is warmer, the surface is pulled towards the cold pole, and the bubble goes the other way. Young, Goldstein and Block's speed comes out of four interface conditions and one more: that the total force on the bubble is zero. That one condition removes the point force a sinking or rising body always carries, so the bubble's disturbance dies a hundred times faster with distance, and the radius at which it balances its own buoyancy has no viscosity in it.
A wire sings with the force on it, not the flow round it
A free flow can only radiate as a quadrupole, four sources nearly cancelling, which is why a jet's noise grows as the eighth power of its speed and so little of its power becomes sound. Put a body in the flow and the cancellation is broken: the fluctuating force the body exerts is a dipole, its sound grows as the sixth power, and at the speed of any wind it outshouts the turbulence that made it by a factor of tens of thousands. The whistle of a wire is the force of its own wake, radiated.
More blades hush a propeller only while its tips are slow
A propeller's thrust and torque are steady in the blade's own frame, and a steady force held still makes no sound. Carried round a circle it sings at the blade-passing frequency, and Gutin's formula says how loudly: through a Bessel function whose order is the harmonic's and whose argument is that order times the tip's speed towards the listener over the speed of sound. Such a function is exponentially small until its argument nears its order. So spreading the same thrust over more blades, which raises the order of the fundamental, silences it by twenty-five decibels at a tip Mach number of 0.4 and by one at 0.95.
Named alongside it
The objects these essays reach for when they reach for this one.
Model limitAeroacousticsMeasurementShock waveSonic boomSpeed of soundMach numberMultipoleRefractionDoubletNonlinear steepeningPotential flow