Concept

Material line — where it appears

A line drawn in a fluid at one instant and then carried by it, so that it is made of the same particles ever after. Its length grows under strain and its shape is a record of every deformation the fluid has been through since it was drawn.

Named by 8 essays across 3 fields — each of them below, with the objects they name alongside it.

One rate per moment, and none of them the same. lambda_p = ln<l^p>/(p t) against p. As p goes to zero it is the Lyapunov exponent, the rate of the typical element; at p = 1 it is the rate of the average length, which is nearly twice as large. If ln l were exactly Gaussian this would be a straight line with the Lyapunov exponent as its intercept, and the departure from that line is the same multifractality the velocity increments have.

The stretching rate that is not one number

A material line in a flow gets longer, and there is a theorem saying its length grows at a definite exponential rate. There is also a rate at which the average length grows, and it is nearly twice as large — and a different rate for every moment of the distribution.

kinematics · Material lines
One pair of strainings, two orders, two lengths. The stretch of the most-stretched material direction against time, for a simple shear followed by a pure strain and for the same two in the other order. The two curves are identical until the swap and separate afterwards, ending a factor of 2.16 apart.

Two strainings, and the order they came in

A material line is stretched by a shear and then by a pure strain, and then by the same two in the other order. Every instantaneous measure of how hard the fluid was being worked is identical in the two cases. The lengths at the end differ by a factor of 2.16.

kinematics · Material lines
The stretching a window of history did, drawn as a field. The largest finite-time Lyapunov exponent over eight units of time in the double gyre, darkest where two neighbouring parcels were pulled furthest apart. The bright crest is a curve across the domain, and it is a property of the eight units rather than of any instant inside them.

A boundary that only exists over a window

The curve that separates fluid going one way from fluid going another is not in any snapshot of the flow. It is the crest of a field built from a stretch of history, it moves when the stretch is changed, and reversing the direction of time gives a different curve entirely — both of them real.

kinematics · Coherent structures
The four waves, and the one that never goes away. The shock tube in space and time: a shock running right, an expansion fan running left, and the contact surface between them. The shock and the fan are travelling disturbances that leave; the contact is made of fluid, so it is carried along and is there for ever.

A surface that remembers the diaphragm

Between the shock and the expansion in a shock tube there is a surface across which the pressure and the velocity are identical and the temperature differs by a factor of two. It is made of fluid, so it never goes away, and nothing in the pressure field says it is there.

compressible · Shock tube
The line the dye actually draws. A streakline in an oscillating uniform stream: everything released from the origin over the last 3.4 units of time, drawn where it has got to at one instant. The parameter along it is release time, not distance and not time of flight, which is why it is a record rather than a curve of the field. The mean speed of 1 exceeds the amplitude of 0.6, so the fluid never reverses and the filament is single-valued in x.

The line the dye actually draws

The streakline is the curve most photographs really show, and of the three curves it is the hardest to compute, because it needs the whole history of the flow. This draws it, in a flow where all four curves have closed forms, and the third curve turns out to be a different kind of object from the other two rather than a third example of the same one.

kinematics · Flow curves
The one curve of the four that measures a gradient. A row of particles released along a line at one instant, seen at 4 later times, in a layer profile. Each line has been displaced by the local velocity times the elapsed time and by nothing else, so dividing the displacement back out returns the profile exactly — checked here to machine precision at every one of two hundred heights. A streamline, a pathline and a streakline each report where fluid went; this one reports how fast neighbouring fluid was going relative to its neighbour, which is the quantity a boundary layer is made of and the one the other three never show.

The curve that measures a gradient

Three of the four curves drawn through a flow answer the same question — where did the fluid go. The fourth answers a different one. A line of particles released together is displaced by the local velocity and by nothing else, so its shape is the velocity profile, and dividing the elapsed time back out returns that profile exactly rather than approximately.

kinematics · Flow curves
One material loop, at five stages of being drawn out. A circle of fluid particles carried by four point vortices, drawn at equal intervals over fourteen time units. Its length grows by a factor of six and its shape becomes unrecognisable; the circulation round it does not move at all.

The drift was the instrument

Kelvin's theorem was checked on this site by carrying a loop and watching its circulation move by eight parts in a hundred thousand. That drift is not the flow forgetting. The exact number is a count of what is inside the loop, it does not move by anything at all, and the drift belongs entirely to the two instruments used to measure it.

inviscid · Kelvin
A vortex sheet rolling up, at five stages. One period of an initially flat vortex sheet with a small perturbation on it, drawn at equal intervals. The perturbation grows, the sheet steepens, and the ends wind into a spiral. Nothing is added to the sheet after the first instant.

A spiral is a legible record

When a vortex sheet rolls up, the fluid in it can never change places: two points on a sheet cannot pass one another. So the arms of the spiral are a map of the initial sheet, in order, and the picture is a record of the roll-up rather than a snapshot of it.

inviscid · Vortex sheet

Named alongside it

The objects these essays reach for when they reach for this one.

MeasurementMemory kernelModel validityFlow mapThe Lyapunov exponentMixingVisualisationCirculationConserved quantityDeformation gradientInitial conditionInstrument

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