Visualisation — where it appears
Named by 10 essays across 3 fields — each of them below, with the objects they name alongside it.
Streamlines are not the paths particles take
Three different curves get drawn through a flow and they are routinely treated as one. In steady flow they coincide, which is why the confusion survives; in unsteady flow they are as different as a photograph and a long exposure.
An instrument that takes a derivative
Dye, smoke and seeded particles mark the fluid and read the marks. The optical ones mark nothing — light passes through and is bent — and what a plate records is not the flow but a derivative of its density. Two of the three are therefore exactly blind to a uniform stream, at any speed it happens to have.
The paint that measures the wrong field
Dye, seeded particles and the optical methods all look through the flow or at something put in it. Pressure-sensitive paint looks at the surface, reports a scalar rather than a derivative, and turns a row of taps into a field. What quenches its luminescence is oxygen, which is what makes it a pressure gauge — and temperature, which is the other field a flow is guaranteed to produce.
The count computed on a body
The rule for a closed surface is usually quoted and seldom solved for. This solves for one, and what the computation adds is not confirmation — it is the discovery that the count survives two events in which the number of stagnation points falls, and that both of them have closed forms.
The line the dye actually draws
The streakline is the curve most photographs really show, and of the three curves it is the hardest to compute, because it needs the whole history of the flow. This draws it, in a flow where all four curves have closed forms, and the third curve turns out to be a different kind of object from the other two rather than a third example of the same one.
The curve that measures a gradient
Three of the four curves drawn through a flow answer the same question — where did the fluid go. The fourth answers a different one. A line of particles released together is displaced by the local velocity and by nothing else, so its shape is the velocity profile, and dividing the elapsed time back out returns that profile exactly rather than approximately.
The window every vector is averaged over
Particle image velocimetry is the one flow-visualisation technique that reports the velocity itself, and it still applies an operator: every vector is an average over an interrogation window. A window is a filter with a transfer function, and it makes a vortex slower and fatter, a thin shear layer exactly as thick as the window, and some features smaller than the window point the wrong way.
One view is enough, and the axis pays for it
An axisymmetric flow — a jet, a plume, a flame — can be reconstructed from a single optical view, because Abel's integral inverts exactly. The inversion runs from the outside in, every error made on the way reaches the axis, and whether it arrives multiplied depends on which instrument took the picture.
A spiral is a legible record
When a vortex sheet rolls up, the fluid in it can never change places: two points on a sheet cannot pass one another. So the arms of the spiral are a map of the initial sheet, in order, and the picture is a record of the roll-up rather than a snapshot of it.
Four cameras and a field they cannot see
An axisymmetric flow can be rebuilt from one photograph because its symmetry supplies every other view. A flow without an axis has to be photographed from several directions, and a few directions do not merely give a noisy answer — they leave whole patterns of density that every camera records as nothing. Four views of a 16 × 16 field see 79 of its 256 independent patterns and are exactly blind to the rest.
Named alongside it
The objects these essays reach for when they reach for this one.
InstrumentMeasurementModel limitMisconceptionMaterial lineDensityIll-posedInitial conditionInverse problemParticle image velocimetryPathlineRefractive index