Streamline — where it appears
Named by 18 essays across 3 fields — each of them below, with the objects they name alongside it.
Streamlines are not the paths particles take
Three different curves get drawn through a flow and they are routinely treated as one. In steady flow they coincide, which is why the confusion survives; in unsteady flow they are as different as a photograph and a long exposure.
Where Bernoulli's equation applies
The equation is right. Its hypotheses are strict, and almost all misuse is a correct formula carried somewhere it does not hold — across streamlines, through a fan, or into the one layer where friction is the whole story.
The number on a streamline is a flow rate
Streamlines get drawn as decoration — curves the flow follows, spaced however the plotting looked best. Each one carries a number, the difference between two of those numbers is the volume of fluid passing between them every second, and it does not matter what route the measurement takes.
No randomness, and it mixes anyway
A steady two-dimensional flow cannot mix, however fast it is stirred, because its trajectories are its streamlines. Switch two vortices on and off alternately and the same fluid, obeying an exact map with nothing random in it, folds a patch of dye through itself until neighbouring particles separate by a factor of a thousand in six periods.
Not half a venturi
The air above a wing really is squeezed into a narrower channel, it really does speed up, and the pressure really does fall. Every step of the story is true and the whole is still not an explanation, because the channel's upper wall is a streamline — and where a streamline went is part of the answer, not part of the question.
The count a pattern cannot break
A picture of a flow has stagnation points in it, and they are not free to be arranged as anybody likes. Their kinds and their number obey an integer constraint that has nothing to do with the equations of motion — and an incompressible flow in a plane is allowed only two kinds of them in the first place.
The eddies nobody stirs
A slow flow past the mouth of a sharp corner does not simply fail to get in. The corner fills with an infinite sequence of counter-rotating eddies, each about three times smaller and sixteen hundred times weaker than the last, and the whole structure is decided by one complex number.
The picture belongs to whoever is watching
Photograph the flow past a cylinder from the tunnel and it has two stagnation points. Photograph the same flow from a frame moving with the air and it has none at all, and its surface speed is exactly the free stream at every angle. Both pictures are correct and no measurement distinguishes them.
The effect that is real, and where it stops
The Coandă effect has a genuine mechanism, and it is the same equation that makes the suction on a wing. What separates the two is where the integral comes from: a wall jet generates all of its pressure deficit inside a layer two per cent of the radius thick, and a cylinder in a stream needs a third of a radius for half of it.
The one number that runs out at three dimensions
A stream function is one function where the velocity is two, and four essays here are built on it. It exists because the divergence vanishes, it is single-valued only if nothing inside is making fluid, and in three dimensions it is not one function at all.
Steady, three-dimensional, and mixing anyway
A steady flow that solves the Euler equations exactly, with its vorticity equal to its velocity to six parts in ten thousand million — and one of its streamlines wanders through a sixth of the box while another, started nearby, lies on a curve for ever.
The area that must not move
A patch of dye in an incompressible two-dimensional flow keeps exactly the area it started with, for ever. Two respectable integrators are put on the same flow: one respects that identically at any step size, the other does not, and the pictures they draw are the same picture.
The line the dye actually draws
The streakline is the curve most photographs really show, and of the three curves it is the hardest to compute, because it needs the whole history of the flow. This draws it, in a flow where all four curves have closed forms, and the third curve turns out to be a different kind of object from the other two rather than a third example of the same one.
A wave on the wall is a pump
A channel whose wall only moves in and out, in a wave travelling along it, delivers a steady net flow with no part of the wall moving along the channel. In the frame of the wave the walls stand still and are streamlines, so continuity alone fixes how the laboratory flow rate follows the wall shape — and the momentum equation is needed only for one number, which also decides whether fluid rides along with the wave or leaks back against it.
A flat flame is unstable at every size
A flame expands the gas it burns, and the expansion pushes back on the fresh gas ahead. Where the flame bulges forward the fresh gas slows, so the bulge burns further forward; where it lags, the gas speeds up and it falls further back. Every wrinkle grows, the shorter ones faster, and what finally gives a real flame a size is how its burning speed responds to its own curvature.
A parcel goes straight while the streamlines curve
In a steady flow every parcel accelerates while the picture never changes. The opposite also happens: a flow whose picture changes all the time while no parcel accelerates at all, because the local and convective halves of the acceleration cancel exactly. Such a flow has no pressure gradient anywhere, and that is a severe demand. An incompressible flow can meet it only as a pure shear at every point; a cloud that can compress meets it freely and pays later, when its straight paths cross in a caustic.
A scraper held flat is pushed off the wall it scrapes
A corner stirred from far away fills with an endless sequence of eddies. Drive the corner at the corner instead — let one of its walls slide under a still blade, as paint slides under a scraper — and the eddies vanish: every streamline turns once, and the stress rises into the corner without limit. G. I. Taylor solved it in 1962. The paint pushes the blade away from the wall with a force that grows as one over the square of the blade's angle, so a blade held flat rides up on what it was meant to remove, and the force is finite only because something too small to appear in the problem ends the corner.
Followed rather than held, the parcels near a wing nearly tie
Parcels held at a fixed fraction of a boundary layer's thickness made the side that turns turbulent first decide which arrives first near the wall, and at a wing's ordinary incidence they gave the upper parcel a lead ten times the one outside the layer. Real smoke is not held at a depth: it follows a streamline. Near the attachment point the layer is thinner than any filament's height, so every filament starts outside it and is swallowed later, and on the upper surface, whose turbulent layer grows faster, it is swallowed deeper. Followed this way, the deep parcels at 4° arrive nearly together, and at a Reynolds number of a million the lower one can come first.
Named alongside it
The objects these essays reach for when they reach for this one.
Model limitPathlineIncompressibleMass conservationDividing streamlineStreamfunctionVorticityBernoulli's equationContinuityDivergenceEulerian and LagrangianMeasurement