Capillary length — where it appears
Named by 8 essays across 3 fields — each of them below, with the objects they name alongside it.
The size a drop is allowed
The Bond number sets a drop's weight against the force its own skin can supply, and it is one when they are equal. By then the drop is a bun — it is a per cent from being a ball at Bond number 0.0079, which is a water drop half a millimetre across.
What a plate takes with it
Pull a plate out of a bath and it comes out wet. How wet is not set by the plate, the bath or how much liquid there is, but by a competition in a region a fraction of a millimetre long that nobody looking at the plate can see — and the film goes as the two-thirds power of the speed, never as the first.
The drop falls at a fold
Tate's law says a drop leaves a tube when its weight equals the tension round the rim. No force balance decides it. A tube holds a family of static drops, the family has a largest member, and the drop falls because there is no static shape with more liquid in it — which Tate's balance overestimates by a quarter on a millimetre tube and underestimates on a wide one.
A law that is exact as an average
Jurin's law gives the height water climbs in a tube as twice the square of the capillary length over the radius. As a statement about the height it is an approximation for narrow tubes. As a statement about the mean height of everything lifted it is exact for every tube — and a wide tube shows what the average was hiding: a rim of water at the wall and almost nothing in the middle.
How far apart a ceiling drips
A layer of liquid hanging from a ceiling is heavy fluid over light, and every ripple on it longer than about seventeen millimetres grows. Which ripple grows fastest, and so how far apart the drips form, is usually given as one number. It is at least three, and what chooses between them is not the liquid's surface tension but the depth of the layer.
A sloping ceiling drips downhill, or not at all
A film hanging from a level ceiling drips where its ripples form. Tilt the ceiling and the film flows downhill, carrying its ripples with it, and at some slope they are carried away faster than they spread and the ceiling stops dripping in place. That slope is set by one number, 1.622 — the speed at which a level ceiling's disturbance spreads — and for water it is tiny: a degree for a tenth of a millimetre of film, six for half a millimetre. Past it the ripples still grow, and still drip, but downhill, at a distance that grows with the slope: a ceiling shorter than that delivers its water to the edge.
The force a contact line holds is a range
Capillary rise and the drop on a window are usually drawn with one contact angle, and a contact line with one angle makes a force that is a single number. A real contact line pins, and stops anywhere between a receding and an advancing angle. The force it holds is then a range, as static friction is, and its width is surface tension times the difference of two cosines. A tube holds its column at any height in the range, so which way the meniscus last moved matters more than how patchy the wall is — and a tilted pane holds a drop only as large as that difference allows.
A thin fibre coats by its own radius, and beads by it
A plate drawn out of a bath carries a film set by the capillary length, the size at which surface tension and gravity balance. A fibre thinner than that length carries a film set by its own radius instead, often a tenth of what the plate's law promises — and the same radius then decides how quickly that film gathers into beads. The faster the fibre is drawn, the thicker its coat and the shorter the length of it that comes out smooth.
Named alongside it
The objects these essays reach for when they reach for this one.
Surface tensionBond numberModel limitLubrication filmYoung laplaceContact angleDropMeasurementThresholdViscosityBuoyancyCapillary number